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《凹凸》当代版画群展
2019-09-12 08:59:26 来源:桥艺术空间
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2019.9.21 , pm 3:00(周六 | Saturday)
 
展览时间 | Exhibition Date
2019.9.21 – 2019.10.28
 
参展艺术家 | Artists
吴冠中,黄苗子,詹建俊,王怀庆,周向林
Wu Guanzhong, Huang Miaozi
,Zhan Jianjun,Wang Huaiqing, 
Zhou Xianglin
 
主办单位 | Organizer
艺术空间 
Art Bridge Gallery
 
协办单位 | Co-Organizer
扶春文化艺术中心 
Fu Chun Cultural And Art Center
 
展览地点 | Address
北京市朝阳区酒仙桥路4号798艺术区D09-1
D09-1 No.4, 798 Art zone Jiuxianqiao
Road, Chaoyang District, Beijing,China
 
版画是视觉艺术的一个重要门类,按制作技法可分为凹版和凸版。当代版画是由艺术家构思创作并且通过制版和印制程序而产生的艺术作品。本次展览展出吴冠中、黄苗子、詹建俊、王怀庆、周向林创作并亲笔签名的当代版画艺术作品,也表现出不同版种的艺术呈现。
 
Printmaking is an essential category of visual art, which can be divided into gravure and letterpress according to the production technique. Contemporary prints are works of art created by artists and produced through the process of being done printing. This exhibition dispalys contemporary printmaking works by Wu Guanzhong, Huang Miaozi, Zhan Jianjun, Wang Huaiqing and Zhou Xianglin, and shows the artistic expression of different editions.

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吴冠中,《长城》,120x64cm,丝网版画,2007
Wu Guanzhong, ,120X64cm,
Screen prints,2007
 
吴冠中是20世纪中国当代绘画的代表画家之一,其中丝网版画代表作《长城》他舍弃了中国传统绘画笔墨技法的诸多的“束缚”,进行线条的解放,将线条变成具象的点、线、面,使得画面流畅而不呆板,风格新颖,变为简单、流利、秀美的线性抒写。
 
Wu Guanzhong is part of the representative painters of Chinese contemporary painting in the 20th century. Among them, the masterpiece of silk screen prints, "The Great Wall", he abandoned many "bindings" of Chinese traditional painting techniques, and liberated the lines, turning the lines into figurative points and lines. The picture is smooth and not dull, the style is novel, and it changes to be a simple, fluent and beautiful linear transcription.

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黄苗子,《空山无人》,78x176cm,丝网版画,2001
Huang Miaozi,,78X176cm,
Screen prints,2001
 
黄苗子多幅作品用一种类似绘画而又非绘画的个性之美对古老中国的金文进行了艺术语言的诠释。版画作品《空山无人》“苗子体”书法用笔,字中透着画的视觉性引领观者进入“艺术、文化、生活”三者相结合的视觉空间。
 
Many of Huang Miaozi's artwork have interpreted the artistic language of the ancient Chinese gold with a beauty of similar to painting and non-painting. The print work "Nobody in the empty mountain" "Miaozi body" calligraphy pen, the word reveals the vitality of the painting to lead the audience into the visual space of "art, culture, life".

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詹建俊,《回望》,97x81cm,丝网版画,2008
Zhan Jianjun,,97X81cm
Screen prints,2008
 
詹建俊是中国油画界中较早对油画的现代意味进行探索的。他对画面的处理是概括性的、象征性的元素比较多。限量丝网版画作品《回望》是詹建俊罕有的一幅以长城为题材的风景画,构图壮美大气,高远浑厚、色彩浓烈,以势寄景,为大写意的万里长城留下了豁然抒情的壮笔。
 
Zhan Jianjun explored the contemporary meaning of oil painting earlier in the Chinese oil painting industry. His treatment of the picture is typical and symbolic. The limited-edition silkscreen print "Review" is a singular landscape painting by Zhan Jianjun with the theme of the Great Wall. Its composition is magnificent and atmospheric, high and rich. The colour is strong, and the scenery is set, leaving a strong sense for the Great Wall.

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王怀庆,《妙龄》,134x81cm,丝网版画,2008
Wang Huaiqing,,134X81cm,
Screen prints,2008
 
王怀庆在当代艺术家行列里,是一个特别的人物,他的作品处于具象到抽象、东方到西方的联结点上,形成了介于传统与现代之间的独特的个人面貌。此次展出的作品中《妙龄》是王怀庆以上世纪90年代一批珍贵人体为创作母材的丝网版画。
 
Wang Huaiqing is a unique figure in the ranks of contemporary artists. His works are located in the intersection of figurative and abstract, east to west, forming a unique personal appearance between tradition and modernity. Among the works exhibited in this exhibition, "Miao Ling" is a silk screen print of Wang Huaiqing's precious human body as the base idea for the creation of the 1990s.

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周向林,《红色机器之一》,74x72cm,石板,2002
Zhou Xianglin,,74X72cm,
slabstone,2002

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周向林,《红色机器之二》,74x72cm,石板,2002
Zhou Xianglin,,74X72cm,
slabstone,2002
 
周向林通过精湛的传统写实绘画呈现了一个更具情感同时又更加理性的历史观。石版画《红色机器之一,之二》运用超级写实的绘画方式将我国五、六十年代生产的经典车型东风牌轿车的模型放大还原,让观者重温了中国上世纪五、六十年代:一个辉煌的时代以及对于这个时代的复杂情感。
 
Zhou Xianglin presents a  emotional and rational historical view through exquisite traditional realistic painting. The lithograph "The Red Machines, the frist,the second" uses super-realistic painting to enlarge and restore the model of the classic Dongfeng brand sedan produced in China in the 1950s and 1960s, allowing audience to review the China's 1950s and 1960s  : A brilliant era and complex emotions for this era.
 
 
 
 
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